Factory Worker


Promila Manhas

A Dogri writer and poet with a beautiful voice living in Jammu. Literary translator translating from Dogri to Hindi and English, and vice versa. Lecturer of Botany in the School Education Department of the State Government of Jammu & Kashmir. Newscaster at Radio Kashmir and news anchor at Doordarshan Jammu.

She read some of her poems at the Sahitya Akademi, New Delhi’s annual Festival of Letters on 16 February 2018.

Dr. Andrea Allerkamp

Dr. Andrea Allerkamp (Europa-Universität Viadrina, Frankfurt, Germany) read her paper Moving Constellations: The Political Challenge of the Aesthetic Regime at Auditorium, School of Arts & Aesthetics, Jawaharlal Nehru University, New Delhi on 8 February 2018.

The program was chaired by Anil Bhatti, Professor Emeritus, Centre of German Studies, JNU.

The lecture invitation has the following introduction:

In critical philosophy the systematization of sensual perception leads us to two sources of knowledge – sensoriality and intellect. I shall discuss Alexander G. Baumgarten’s fundamental insight into a new discipline of aesthetics. In order to enlarge the realm of legitimate cognition and to include sensual forms in philosophy Baumgarten provokes an epistemological break which operates with poetical terms of transition and similarity: “The path to truth leads from night through dawn to noon”, it says in § 7 of Baumgartens Aesthetica. In Baumgarten’s attempt to overcome the rational metaphysics through a thinking in similarities, we are confronted with a gap between presence and presentation. It is the political dimension of this gap that draws our attention to Jacques Rancière’s aesthetical regime of arts. In modern democracy we have to face the challenge of common places of sensual experience where political conflicts become visible. Rancière’s return to Baumgarten’s Aesthetica is owed to the insight that politics can only exist as a coming to be in narration and poetry: Il y a politique – There are politics.

Manipuri Poet, Srilekhak

Manipuri poet and playwright, Srilekhak (born Ksh. Mohan) at the launch of Yengkhom Kengba’s Manipuri novel at ROLs in January 2017. Srilekhak is one of the most experimental poets in Manipur. Influenced much by the Japanese haiku tradition of the east and the imagist and modern poetry, his poetry is characteristically sharp and formal as its primary drive. His metaphors and similes are unusually powerful unlike any other Manipuri poets among his contemporaries or younger generations.

His once-famous Times Printers (late 1980s – 1997), located on the leirak across from the old post office building at Kakching Khunyai Leikai, was the center of literature in the town of Kakching. Besides printing almost every literature book and magazine published during that period here, he regularly hosted literary readings and critical sessions in his press office.

My translations of his two poetry collections will soon come out from LSC.

Indian Philosopher, Divya Dwivedi

Indian Philosopher Divya Dwivedi at the Present of the Day conference in Senate Room, IIT, New Delhi, 22 January 2018. Franson Manjali chaired this last session of the day and French philosopher Jean-Luc Nancy read his paper Le Bonheur du Jour. French philologist and philosopher Barbara Cassin also attended the conference. It was organized by Divya