Manipuri short story writer and one of the state’s top cops, Rajen Moirangthem (left) and Manipuri poet and sports columnist, Saratchand Thiyam on the evening of 16 January 2017.
Both of them are national Sahitya Akademi award recipients. I set out as an editor when I assisted Mr. Rajen in editing Chumthang, a literary journal published by Sahitya Seva Samiti, Kakching.
Saratchand and I came to know each other at a seminar at India International Center, New Delhi, in 2005. Organized by Katha. As a young boy–youngest among the delegates–I was a panelist in a discussion program–Knowledge Keepers and Dream Makers. Did he get a book of his released during the seminar? I don’t remember. Something like the English translation of his Nungsibi Greece was hot then.
4 January 2017. After I had avoided humans, particularly those who are by default called friends in every sphere of my life for a very long time, Preety Jankeepersand and I met, had tea and paratha at Brahmaputra and walked for long in many secluded areas in the JNU campus. Preety, a kind and self-conscious girl from Mauritius, has been a friend of mine who has been helping me when and where no other person would actually give a damn. Most friendships demand mutual investment and that reciprocity needs to be simultaneous lest the friendship expires. Preety has proved a different person–in her characteristic combination of quiet and frankness, and affection and aloofness, she would repeatedly and patiently get through my silent irresponsive solitude and do a few things to help me (calling me sometimes, writing to me often with some important information I need to act on) before she leaves quietly. She knew without somebody helping me I would not do certain things despite the consequences. Not many people would be so generous as her at least to a person like me–so aloof, so unpenetrably silent and incommunicable. I would ever remain indebted to her. So happily.
That afternoon we talked about a lot of things. Life in general. Plans for future–what we wanted to do in life, after the linguistic course. I had my camera with me too–I told her I wanted to take a few photographs of her. To remember her by. The easier way.
I had photographed her before too. This evening was calmer and quieter and we were more relaxed. But unfortunately, when we arrived at this particular place–a beautiful one, one we would unlikely visit on any other day–the sun had already set and I had to turn the ISO up and lower the shutter speed. Far beyond I would normally go for. (We did not plan to come here–some beautiful peacocks attracted our attention and we followed a couple of them which we saw and we ended up here.)
Though I wished we got to this place earlier, she was so cool and beautiful in her blue shirt and jeans in that twilight. We agreed we would come to this place again. Earlier. We have not yet gone there again.
I took six or seven photographs there. She was calmly beautiful in all of them. In her quiet and cute beaming beauty. Now the course has ended and she will go back to her country and I will muddle through following my dream. In difficulty. The time has come for me to publish the few photographs I have taken of her. Here are two of them. Up above. I will add the other photographs too here. And various versions of the same photographs too.
I will remember this friend of mine. Ever in my life. Clearly. Without a cloud.
Depression broods in art. Anger chafes in art. The fires, cries and deaths of war do not spare art. Every human thing touches art. Still, there is something about art that keeps it cool. You will rediscover the innocence of humans in old men of art being together. Just being happy, without any reason. Just being together. Just listening to each other’s songs. A cappella. Just listening to each other’s poems or short stories.
These guys are such folks. I photographed them after a literary program in Manipur early this year. January 2017. From left to right:
In a slow response to the pull of silence
the dusts of sound have settled down
to the abandoned life spread across the floor–
preserved in layers the creases of pains
painted in fragile smiles for the show,
spirals of despair deyed spry for the show.
Slowly the dusts of life have settled
on the photographs of dead people
and people memory has let go of,
those blurry visitors in grainy dreams
you have once or twice in a lifetime
gathered from a long forgotten past,
part of the mistakes you made in learning life.
But a bearded storm keeps coming with a broom
dragging along his cart of dusts and photographs
when the sun is low to the snow free of all dust.
After or before the dark? You never know.