Nobody knows why he does not choose to be a singer when he has such a golden voice.
Here he sings K.J. Yesudas’s Surmai Akhiyon Mein from Balu Mahendra’s 1983 drama Sadma. Karaoke.
This song was recorded at the Robert Leishangthem Workstation, right at the heart of Kakching keithel, where all the noise of the market and the street flowed in from one side and three walls blocked it like an echo chamber.
Jotin himself recorded this song in a small studio not designed for music recording. Without any instrument accompaniment. I doubt he positioned the mic properly :). I did no editing, except increasing the volume because the volume level of my laptop speakers is terribly low, and I am not sure how this is going to sound despite Jotin’s golden voice.
the sound of the breeze in the trees,
rain pattering lightly on the rooftop,
the chirping of crickets,
a dog barking aimlessly somewhere in the distance,
bodies shifting their weight
on creaky pine benches,
breath being drawn and being expired
While I was recording the sound of the wind blowing through the leaves and of footsteps on dry leaves in the hills in Manipur for a current film project, I heard on my earpieces a weak sound of something familiar I had practically forgotten to be still existing–weaving on a loom. The sound from my childhood. My aunt, my father’s younger sister, on whose back I grew up as a child. She used to weave. (Mother too.) I often went to the main market in Kakching to buy yarn for her.
I turned my mic to specify the direction the sound was coming from, then followed the sound track, and I heard the volume and clarity of the sound increasing as I got nearer to the source.
Higher up the hill in one of the cottages a woman was there weaving on her loom. I recorded as she weaved.
I simply lost my heart to this song–“If I never met you” in the end credits of Manhattan Night (Brian DeCubellis, 2016). Lyrics and music by Brian DeCubellis, performed by Catey Shaw, and produced by Jay Levine. I’ve not liked Catey Shaw before.